

- #Autopano pro fix stitch for autopano video how to
- #Autopano pro fix stitch for autopano video series
In terms of color grading, DeJohn says, “I colored the project from the very first edit so when it came to finalize the color it was just a process of touching things up.”įusion Studio was used for stereoscopic alignment fixes, motion graphics, rig removal, nadir patches, stabilization, stereo correction of the initial stitch, re-orienting 360 imagery, viewing the 360 scenes in a VR headset and controlling focal areas. He used the Fairlight audio editing tab to make fine adjustments, manage different narration takes with audio layers, and manage varied source files such as mono-narration, stereo music and four-channel ambisonic spatial audio.
#Autopano pro fix stitch for autopano video series
Within Resolve, DeJohncut the series at 2Kx2K, relinked to 8Kx8K source and then change the timeline resolution to 8Kx8K for final color and rendering. The efficient post process helped in letting us focus on what was needed, and I am incredibly happy with the end result.”ĭeJohn was tasked with bringing together a huge amount of footage from a number of different high-end camera systems, including the Yi Halo and Z Cam V1 Pro.ĭeJohn called on Blackmagic Resolve for this part of the project, saying that using one tool for all helped speed up the process.“A VR project usually has different teams of multiple people for editing, grading and stitching, but with Resolve, Keith and I handled everything,” he explains.

#Autopano pro fix stitch for autopano video how to
“Matt and Keith would give suggestions on how to capture for VR, how camera wobbling impacted stitching, how to be aware of the nadir and zenith in each frame and to think about proximity issues. “The collaboration between myself as the cameraman and Matt and Keith was a huge part of being able to get this series done - and done at such as a high quality. “It really was amazing how a small crew was able to get all of this done,” says Griffith. The series also includes footage that lets viewers witness what it is like to be engulfed in a Himalayan avalanche, cross a crevasse and staring deep in its depths, take a huge rock-climbing fall, camp under the stars and soak in the view from the top of the world.įor the post part of the doc, Griffith called on veteran VR post pro Matthew DeJohn for editing and color correction, VR stitching expert Keith Kolod and Brendan Hogan for sound design. Over the course of three years, Griffith shot footage following Tenji and some of the world’s most accomplished climbers in some of the world’s most extreme locations. VR director and alpine photographer Jonathan Griffith and mountain guide Tenji Sherpa, both friends of Steck, picked up the climber’s torch, and the result was the 8K 3D documentary Everest VR: Journey to the Top of the World, produced by Facebook’s Oculus. The value produced the optimal blending for me.While preparing to climb both Mount Everest and Mount Lhotse without the use of bottled oxygen, renowned climber Ueli Steck fell to his death in late April of 2017. The only deviation I have from the tutorial is my video setting for the Autopano Giga.

I’m not going to delve deep into it because there’s a tutorial that illustrates the whole process on the link below.Ĭreating your own Template for cameras like Gear360, Nikon Key Mission and Ricoh Theta by Alex Pearce Productions This will require patience but it is efficient in the long run since you’re only going to set it up once. But since Autopano is not really designed to process dual fisheye footages, we need to prepare a template. Once you have your dual fisheye footage, we can now move on to…Ģ.) Making a template for Samsung Gear 360 and stitch footage with Autopano Video Pro and Autopano Giga With the footage prepared, we can now stitch it. Here’s a link for the specific steps on importing image sequences in quicktime 7. It doesn’t stop there - It only took me 7 minutes tops to have the video file made! (Take away: always try and test, you might be pleasantly surprised.)
